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Interview: Camp Lo
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URL: http://thickonline.com/interviews/index.php?mod=cnt&act=cnt&id=4212
Date Stamp: June 7, 2009
page 3 T: And then what we gon' hear on the album that's following that? SC: We try not to duplicate what we already walked over. We like to make the new music, new music. It has to be new, it has to feel fresh for us to even dig it. We always seen Piece of the Action as being high energy, a non-stop ride.
T: You started with Profile but have been independent since then. Speak on the indie route. GS: Profile was the biggest independent at the time. In that sense, we always been on an indie label. We're used to the intimate settings of dealing with people on the close up. SC: When we tried a showtime label, it didn't work out right. They couldn't really see our boutique style of music. They wanted to department store our music.
T: Who was the label? SC: Arista, before they switched to J. Records. So, we got caught up in waves that we wasn't digging. So, we asked for a release and independent has been our route since then.
T: Where did the name come from? SC: We used to roll dice and we had found a set of dice that had cards on it. Ace of Spades, King of Hearts and all that stuff. So what we would do instead of rolling for bread at the time, 'cause bread was real...we was about 200 lbs. between us at the time. We used to roll for push-ups. Suede had me at the time 'cause he was always losing. GS: (Laughs) I wish we could find them dice right now. SC: Yeah, man, that was the Sugar Street Dice. GS: Basically, we was running with Cee-Lo at first 'cause we was playing so much dice. We had kinda got comfortable with it too and then somebody had told us that there was this cat in Atlanta named Cee-Lo. That's when we changed the Cee to Camp and kept the Lo.
T: Yall still rockin' the suits? SC: From time to time. Cats stay genuine to our vined-out roots. Sometimes cats will go rugged. Sometimes cat will go dazzling. We dress for the occasion.page 2 T: Between your debut and now you have released quite a bit of material some people might not know about. Give us a run down. Sonny Cheeba: Well, they missed out on Short Eyes. That was a Japan thing. They might have missed out on the Black Hollywood mixtape too. GS: Some of 'em might have missed out on Let's Do It Again, which came out 2002. It had the song Glow on it that a lot of Lo fans would be familiar with. That was a limited edition album right there. So, they might have missed out on that. That was the second thing we ever put out after Uptown Saturday Night.
T: Speak on Japan's love for Camp Lo. They are serious about their mid-nineties Hip-Hop. GS: In Japan we felt like Michael Jackson, like Michael Jackson landing. It was pandemonium. It was one of the most amazing and humbling experiences ever, to go play Japan. The appreciation they got for the art is next level, man. It really, really is. They appreciate the art. It's not whether it's the most popular thing, if they love it, they really appreciate it. SC: The first time we came over there we seen cats on some on some b-boy heavy shit. The chicks had afros, the cats had brims on, and we in Japan and they doing it down like that. So, that sorta caught us off guard but the love was retarded. We never knew it could be like that in other lands, we never expected that. But the fashion was crazy, they came out the way we dressed at the time. It was fire like that.
T: How did the Japan only release come about? GS: I think it was just a matter of somebody over there had contacted our people over here and expressed an interested, and me and Chi already had a catalogue ready to go. Our working process is that, we just record a bunch of things and then pick the ones that we feel most fit that project. So when they hit us, we pretty much had all of that stuff in the catalogue already. So, it wasn't really that difficult. SC: It was nothing we made with Japan in mind. It something we already had and being that they was interested, that's what we gave 'em. That's kinda how it panned out with the Black Hollywood too.
T: Tell us a bit about the new mixtape? SC: On Caught On Tape we hit 'em with a couple songs that they been wanting us to come out with for a minute. We hit cats with some new energy, so cats who is not familiar with us can dig where we're coming from. We got the laidback recliner type joints. We got the up energy, drummed-out type joints. We make sure our music doesn't sound like anything that's poppin' at the time. We're sticking to our roots as far as that's concerned. GS: Roots and culture! SC: Roots and extra culture! In fact, arts and crafts, baby!page 1 
Thick: Give us a little background on how yall came together. Geechi Suede: We started out in the Bronx eight moons ago. I was pretty much solo doing my thing, and my friend I used to dance for, he introduced me to Ski. On some, check my lil' man out, he can rhyme too. I spit a freestyle for Ski and he was feeling it but I could tell he was still like, this guy is kinda young, he's got some growing to do. I don't know how long after that, somehow, somewhere on a mysterious night me and Ski bumped into each other on the block and he was like, yo, shorty what's up? Bust a rhyme for me. So I started bangin' on the car and rhymin' for him, and then next thing we were at Clark Kent's house working on my demo. Working on my demo I was thirsty for ideas and direction. Even though Ski was there for me in that way, when Chee came along, we had met through mutual friends as well, that's what he started helping me with. He started helping with different ideas and different approaches, and it kinda got the point where I was like, we should just do this together. You always giving me ideas and stuff like that, let's just do this together. He had never rhymed a day in his life and in no time he had mastered it already. I'd say six months after we officially said we were going to do it together, we got a demo done and we had a deal shortly after that. Then the world heard Coolie High. That was the first time they heard from us and it was on the Great White Hype soundtrack.
T: Since the first single dropped it was obvious Camp Lo were onto something different. I get that your styles meshed well but how did you decide on the throwback kinda flavour? GS: Our parents were pretty involved in music and fashion, and they were pretty much strung out on the Marvins, and the Stevie Wonders, and all of that. It trickled down to us and it definitely hit Chee really hard. When we sat down at the round table right before we really kicked everything into full gear and we said, how are we gonna come into this? 'Cause we knew we wanted a different approach from what was already out there. So, we started mapping out how we would approach it and we decided to throw in influences, and one of the influences was the seventies. So, we started doing heavy research on that, started hitting all of the video stores and we would write down notes. We did our homework, on top of what we were already influenced by. We mapped it all out from then. We knew we was gonna come with the slang, we knew we was gonna come the fashion, we knew we were going to intertwine the seventies in it. Obviously, being from the Bronx, all that stuff we grew up on, Bambaataa, Cold Krush, KRS-One, we knew we was gonna intertwine all that stuff into it. When we did our first couple of tunes on the demo and the response was good, we just kept flowing in that direction. By the time we got to Coolie High, we pretty much had mastered it and were completely comfortable with where we was going. So, that's pretty much how that came about.
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